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by Daniel Bergner 30 more great articles about women. Sex Maxed out by Evan Wright Revelations About Sex by Alain de Botton Safe-Sex Lies by Meghan Daum The Biology of Attraction by Helen E. Fisher 50 more great articles about sex. Feminism The Women's Movement by Joan Didion Bad Feminist by Roxane Gay What the Hell Am I and Who the Hell Cares? by Neko Case 5 more great articles about feminism. Men What Is a Man? by Tom Chiarella The End of Men By Hanna Rosin 10 more great articles about men. by Stephen Pinker English Is Not Normal by John McWhorter A Linguistic Big Bang by Lawrence Osborne 15 more great articles about linguistics.
Pigeon Wars by Jon Mooallem Violence of the Lambs by John J. Sullivan 25 more great articles about animals. Work Quitting the Paint Factory by Mark Slouka Nickel And Dimed by Barbara Ehrenreich Shop Class as Soul Craft by Matthew B. Crawford 40 more great articles about work. Cities Here is New York by E. White Downtown is for People by Jane Jacobs The City Solution by Robert Kunzig 25 more great articles about cities. The Environment The Fate of Earth by Elizabeth Kolbert State of the Species by Charles C. Mann Death of a Mountain by Erik Reece 30 more great reads about the environment. Climate Change Losing Earth by Nathaniel Rich Global Warming's Terrifying New Math by Bill Mckibben The New Abolitionism by Christopher Hayes 25 more great reads about climate change.
Computers The Tinkering of Robert Noyce by Tom Wolfe Creation Myth by Malcolm Gladwell Mother Earth Mother Board by Neal Stephenson 50 more great articles about computers. The Internet Forty Years of the Internet by Oliver Burkeman A Nation of Echo Chambers by Will Leitch The Long Tail by Chris Anderson 50 more articles about the internet. Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. He can also be damn funny. Hemon grew up in Sarajevo and left in to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare.
There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. So many in my generation and younger feel this kind of helplessness—and considerable rage—at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia.
One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture. We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential essay collection, On Immunity.
As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence. Five years on from its publication, it is dismaying that On Immunity feels as urgent and necessary a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda.
But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat and important trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think. It would also come to be the titular essay in her collection published in The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women.
Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives. The Mother of All Questions, comprised of essays written between and , in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Aside from the fact that this essay is a heartbreaking masterpiece, this is such a good conceit—transforming a cold, reproducible administrative document into highly personal literature.
Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they both Mexican citizens wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico as well as other countries in Central America, more broadly as it has evolved to our current, adverse moment. Tell Me How It Ends is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-thanpages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.
Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing.
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